Baz Stanescu

"Imagine you're in the Balkans", said the flamboyant hostess at Le Quecumbar, "Don't be boring and English, make lots of noise!" So from the beginning virtuoso Romanian violinist Baz Stanescu got wild whoops and clapping from the crowd. Actually, the atmosphere at Le Quecumbar isn't Balkan, but more 1930s Paris or Brussels. From the outside it's clearly a converted pub, but inside it's a congenial Continental-style music café with candles, art nouveau lights, old black-and-white photos and a little stage in the corner ringed by luxuriant potted plants. Certainly it doesn't feel like Battersea. Stanescu was born in Bucharest into a family of musicians going back, he says, some 250 years. He started playing aged seven and clearly has had some classical training alongside his Romanian tradition. His band, Hai La Drum (Hit the Road), is essentially British, despite their Romany name, playing accordion, guitar and double bass. He started with some Romanian tunes with heavily ornamented fiddle playing, before slipping into Ciocarlia (The Lark). This is a cliché traditional Romanian piece usually trotted out as an encore and it was brave to throw it in early on and keep it fresh with a musical integrity plus spectacular bird effects. Stanescu's violin techniques include spectral harmonics, double stopping and a spectacular left-hand pizzicato with a panache I've only seen matched by Maxim Vengerov. Stanescu and the band toss musical phrases back and forth and Le Quecumbar clearly thrives on this sort of quality musical vibe. The repertoire ranged from Romanian tunes to Russian classics and Django-style Gypsy swing. The warmth, camaraderie and ambience took us to another world, far from London.Simon Broughton, London Evening Standard