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Monika Szlahotka

Mezzo Soprano (Voice) Pforzheim, Germany 12 Followers
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Mezzo Soprano (Voice)
Classical 25:11 10 years ago10y
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About Monika Szlahotka

Classical Musicals Jazz

Born in Lugoj in 1983, began her musical studies at the Music School in her hometown, under the theoretical guidance of master Remus Tascau and for learning piano benefited from the guidance of professor Stan Constantin . She continued her studies at the National College of Arts "Ion Vidu" from Timisoara(piano and singing) and the Music Conservatory in Timisoara(singing), where she obtained a masters degree in the field of "Stylistics of musical interpretation".
She attended the Oratory Masterclass, held at Oravita during 12 to 16 August 2011, under the guidance of Aura Twarowska mezzo-soprano, soloist of the Vienna State Opera.
Since 2004 she is employed as a lyrical artist at "Banatul" Philharmony Choir in Timisoara, but coral edge knowledge she gained from a much earlier age, as a member of the chamber choir "Ion Vidu " in Lugoj since 1997.
In solo career she began with the role of Haensel, in the opera “Haensel and Gretel” by Engelbert Humperdinck, in 2006 at the National Opera of Timisoara, conductor Silvia Mihaela Rosca . Followed by the opera “In the Maze” by Liana Alexandra at the "Banatul" Philharmony in Timisoara part of “Musical Timisoara Festival”, conductor Mihaela Silvia Rosca; - contemporary opera- “Revulutia” by Adrian Iorgulescu, at the "Banatul" Philharmony in Timisoara, conductor Radu Popa .
Vocal – symphonic interpretation includes “Requiem” by A. Graur, accompanied by the "Banatul" Philharmony - world premier- part of TimOrgelFest, conductor Alexandru Graur; W.A. Mozart “Coronation Mass” in the Roman Catholic Church in Zrenjanin,Serbia, conductor Walter Kindl; “Via Crucis” of F.Liszt, accompanied by the "Banatul" Philharmony, conductor Ilarion Ionescu Galati and “Gloria” by A. Vivaldi, at the Roman – Catholic Dome from Timisoara, conductor Sabin Pautza .
In supporting her dissertation, the mezzo-soprano presented a recital containing of oratorio tunes by J.S. Bach and Lied cycle “Apparition” by G. Crumb - first national audit – in the "Banatul" Philharmony’s foyer .

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